March 9th, 2011

BIRDS AS ART BULLETIN #365

FEATURES

  • THE GREECE EXPLORATORY DALMATIAN PELICAN IPT REPORT
  • THE BLOG IS THE BOMB!
  • IPT UPDATES

no images were found

Dalmatian Pelican on sunny morning, Lake Kerkini, Greece
Image copyright 2011: Arthur Morris/BIRDS AS ART
Canon EF 70-200mm f/2.8L IS lens with the EOS-1D MIV. ISO 400. Evaluative metering +2/3 stop: 1/320 sec. at f/11.
This image is as much about the reflection as it is about the bird. I used Tim Grey Non-Destructive Dodge and Burn to lighten the reflection. This technique is covered in detail in the free update of the Digital Basics PDF (that is coming quite soon!)

THE GREECE EXPLORATORY DALMATIAN PELICAN IPT REPORT

Wow! What a great trip. Great birds and lots of them. Good weather. Great food. Great hotel (and host Nikos). And lots of great folks, happy campers all and quite eager to learn. A great co-leader in Robert O’Toole. A great guest, Peter Kes, our fish eye inspiration. And Yannis Arvanitis, a great assistant fluent in Greek who made everything easier for everyone. We enjoyed mostly overcast days that were great for photography and one spectacular still, sunny morning. And we all endured a single icy, windy day with freezing hands and feet; we were wet and the wind cut right through us.

no images were found

The whole gang plus our fisherman/boatman and his son, Lake Kerkini, Greece
Image copyright 2011: Arthur Morris/BIRDS AS ART
Canon EF 24-105mm lens (at 32mm) with the EOS-1D MIV. With a Wimberley P-5 Camera Body plate on the Mark IV I was able to mount the camera atop the Giotto’s tiny ballhead and trigger the shutter with the 10-second timer. ISO 400. Evaluative metering +1 1/3 stops: 1/250 sec. at f/10 set manually. This is the first ever BAA IPT group shot!
From the back left (to right) are yours truly, fisherman Tomas, Ray Morris-Hill (UK), Theodorus Nazidiris (a local), & Peter (Switzerland). From the front left (to right): the fisherman’s son Gregori, Yannis (Chicago), Robert (Clearwater, FL), Paul Davison (UK), George Brunt & Jack Cohen (friends from Calgary, Alberta Canada, and Gerald Kelberg (Belgium).

We did lots of photography from the shore, and lots of photography from the two boats. We would go out three photographers per boat leaving four of us on shore. We took shifts ranging from one to two hours depending on the weather. We did as many as four boat trips a day. Tomas and Gregori tossed fish that they had caught in their nets to the birds while we were underway and those on the shore did the same. The fisherman have been feeding the birds for several decades and the local breeding population continues to expand. Theo works for the government authority that manages Lake Kerkini.

no images were found

A small group of Dalmatian Pelicans enjoying a handout. Lake Kerkini, Greece
Image copyright 2011: Arthur Morris/BIRDS AS ART
Canon EF 15mm fish eye lens hand held with the EOS-1D Mark IV. ISO 400. Evaluative metering +1 2/3 stops: 1/2500 sec. at f/3.5 set manually.
The trick here was to use the focusing sensor in the center of the bottom row.

We took turns tossing fish to the birds. Peter Kes took the lead with his fish eye lens and shared it with the group once everyone saw the images.

no images were found

Robert (in the bow), Jack, and George photographing Dalmatian Pelicans with Gregori at the helm,Lake Kerkini, Greece
Image copyright 2011: Arthur Morris/BIRDS AS ART
Canon EF 800mm f/5.6L IS lens with the EOS-1D Mark IV. ISO 400. Evaluative metering +1 2/3 stops: 1/640 sec. at f/5.6 set manually.
I could not resist photographing the photographers from shore with my big lens.

The overcast conditions provided us a giant softbox so that the direction of the light was rarely an issue.

no images were found

Dalmatian Pelican braking in flight, Lake Kerkini, Greece
Image copyright 2011: Arthur Morris/BIRDS AS ART
Canon EF 70-200mm f/2.8L IS lens (hand held at 200mm) with the EOS-1D Mark IV. ISO 400. Evaluative metering +2/3 stop: 1/2500 sec. at f/2.8 set manually.
It did not take us long to figure out that by running the boat in this direction or that we could choose our backgrounds. On cloudy days the distant hills made a beautiful backdrop.

Whether from the shore or from the boat, flight photography was fantastic. The most popular lenses by far were the 70-200mm f/2.8s, at times with a 1.4X teleconverter. Robert did quite well with his Sigma 50-500. (Note: Robert is a Sigma contract photographer.)

no images were found

Dalmatian Pelican in flight, Lake Kerkini, Greece
Image copyright 2011: Arthur Morris/BIRDS AS ART
Canon EF 70-200mm f/2.8L IS lens (hand held at 102mm) with the EOS-1D Mark IV. ISO 400. Evaluative metering +1 stop: 1/2500 sec. at f/5.6 set manually.
We saw the distant mountains with sun on them only a single morning and did our best to incorporate them into our images as I did here.

The light was from my right when I created the image above. I do not mind the sculpted light on the pelican’s breast but note that the off-angled light resulted in the primaries of the bird’s left wing casting a shadow on the underwing. I am not a fan of that 🙂 Remember, point your shadow at the bird!

no images were found

Dalmatian Pelican in flight, Lake Kerkini, Greece
Image copyright 2011: Arthur Morris/BIRDS AS ART
Canon EF 70-200mm f/2.8L IS lens with the 1.4X III TC (hand held at 280mm) with the EOS-1D Mark IV. ISO 400. Evaluative metering +1 2/3 stops: 1/1600 sec. at f/4 set manually.
Here I used the central AF sensor and attempted to keep it on the incoming bird’s head or face.

Flight images like the one above were a dime a dozen for those working on shore. The key was to toss the fish in a manner that would isolate the incoming birds against open water.

no images were found

Dalmatian Pelican head throw, Lake Kerkini, Greece
Image copyright 2011: Arthur Morris/BIRDS AS ART
Canon EF 70-200mm f/2.8L IS lens with the 2X II TC (hand held at 230mm) and the EOS-1D Mark IV. ISO 800. Evaluative metering +1 1/3 stops: 1/640 sec. at f/5.6 set manually.
When we photographed at a small offshore rock pile where the pelicans roosted I always used the 70-200 with the 2X III TC so that it would be easier to isolate my subjects.

Whatever species of pelican you are photographing wherever in the world, creating pleasing images of head throws is always a big challenge; you never know which bird will perform the behavior next….

no images were found

Dalmatian Pelican, Wedding Dress Scapulars, Lake Kerkini, Greece
Image copyright 2011: Arthur Morris/BIRDS AS ART
Canon EF 70-200mm f/2.8L IS lens with the 2X II TC (hand held at 335mm) and the EOS-1D Mark IV. ISO 400. Evaluative metering +1 2/3 stops: 1/200 sec. at f/11 set manually.
When creating tight images of feathers it is important to stop down for additional depth-of-field as the birds body’s are anything but flat. Here again working with the 2X TC allowed me to work tight.

Robert alone will be leading an IPT to Greece early next year. Details will be announced soon. If you would like to have your name placed on the interested list shoot me an e-mail.

THE BLOG IS THE BOMB!

I continue to put about 20 hours a week towards making the blog informative, timely, and beautiful. If you are not subscribed, you are missing a ton of great stuff almost daily. You can subscribe to the blog posts by clicking here. Here are some recent posts of interest:

Memories of Klamath and Dreams of Kerkini. While traveling to Europe I had thoughts of the snow and the huge flocks of geese that I encountered at Klamath and the huge pelicans that I would be photographing for the first time when I got to Greece….

My dreams are realized at Greece; Oh My God and 214 Keeper Day at Lake Kerkini.

Learn to handle bright whites on sunny days by reading Great White Tricks (and get a peek at our second pelican species).

Having polio as a kid did not stop Dutchman Jan van der Greef from becoming a top-notch nature photographer.

Learn my bill cleaning tips and how to adjust your monitor using a calibration strip by clicking here.

BIRDS AS ART Instructional Photo Tours (IPTs)

Click here for BIRDS AS ART Instructional Photo-Tour (IPT) General Information.

Click here for BIRDS AS ART Instructional Photo-Tour (IPT) Deposit and Cancellation Policies.

Click here for BIRDS AS ART Instructional Photo-Tour (IPT) Registration and Release Forms.

If you have any questions, please feel free to contact me via e-mail.

Please scroll down for info on each of the following:

  • Gatorland Mini-IPT: 1 1/2 days: AM and PM shooting sessions on Saturday, March 4 and a morning session on Sunday, March 5.
  • BIRDS AS ART Fort DeSoto In-the-Field Meet-up Workshop (ITFW) on the morning of April 22, 2017: $99
  • Fort DeSoto Spring IPT/April 19, 2017 (meet & greet and afternoon session) through the full day on April 22, 2017. 3 1/2 DAYs: $1599.
  • 2017 UK Puffins and Gannets IPT, July 3-10, 2017: $5999.
  • 2017 Bear Boat Coastal Brown Bear Cubs IPT: July 18-24, 2017 from Kodiak, AK: 5 FULL & 2 Half DAYS: $6699
  • 2017 BIRDS AS ART Palouse Instructional Photo-Tour: June 8-14, 2017: $2,499
  • GALAPAGOS Photo Cruise of a Lifetime IPT/The Complete Galapagos Photographic Experience. August 8-22, 2017 on the boat. 13 FULL and two half DAYS of photography: $12,499. Limit: 12 photographers plus the leader: yours truly. Sold out!.
  • 2018 San Diego 4 1/2-DAY BIRDS AS ART IPT: Monday, JAN 15 thru and including the morning session on Friday, JAN 19, 2018: 4 1/2 days: $2099

no images were found

Great Egrets in breeding plumage are a beautiful sight …

Gatorland Mini-IPT: 1 1/2 days: AM and PM shooting sessions on Saturday, March 4 and a morning session on Sunday, March 5: $749. Limit 6/Openings 4.

Join me in Kissimmee, FL in early March, prime time to to photograph Great Egrets in breeding plumage. We should get to make lots of head portraits with most any lens and to photograph them building nests, displaying, copulating, and flying. Eggs for sure. Tiny chicks likely. And most likely breeding Wood Storks as well. Learn to see, find, and make the shot in cluttered settings. Learn exposure and how to handle the WHITEs. Learn fill flash and flash as main light. Includes a working lunch on me on Saturday with image review and Photoshop. We may see and photograph some early Snowy Egrets and Tricolored Herons. And of course, we will see and photograph the captive American Alligators. All of the birds are free and wild.

To pay in full via credit card, call Jim or Jen in the office weekdays at 863-692-0906. You will be responsible for the cost of your Gatorland Photographer’s pass. Early entry both mornings and late stay on Saturday.


fort-desoto-card

DeSoto in spring is rife with tame and attractive birds. From upper left clockwise to center: breeding plumage Dunlin, dark morph breeding plumage Reddish Egret displaying, breeding plumage Laughing Gull/front end vertical portrait, breeding plumage Laughing Gull with prey item, Laughing Gull on head of Brown Pelican, screaming Royal Tern in breeding plumage, Royal Terns/pre-copulatory stand, Laughing Gulls copulating, breeding plumage Laughing Gull/tight horizontal portrait, Sandwich Tern with fish, and a really rare one, White-rumped Sandpiper in breeding plumage, photographed at DeSoto in early May.

Fort DeSoto Spring IPT/April 19-22, 2017. (meet & greet at 2pm on Wednesday April 19 followed by an afternoon session) through the full day on Saturday April 22. 3 1/2 DAYs: $1599. Limit 10. To save your spot, please call and put down a non-refundable deposit of $499.00.

I will be offering small group (Limit 3) Photoshop sessions on Sunday afternoon and Monday morning if necessary. Details on that TBA.

Fort DeSoto is one of the rare locations that might offer great bird photography 365 days a year. It shines in spring. There will Lots of tame birds including breeding plumage Laughing Gull and Royal and Sandwich Terns. With luck, we will get to photograph all of these species courting and copulating. There will be American Oystercatcher and Marbled Godwit plus sandpipers and plovers, some in full breeding plumage. Black-bellied Plover and Red Knot in stunning breeding plumage are possible. There will be lots of wading birds including Great and Snowy Egrets, both color morphs of Reddish Egret, Great Blue, Tricolored and Little Blue Heron, Yellow-crowned Night-Heron, and killer breeding plumage White Ibis. Roseate Spoonbill and Wood Stork are possible and likely. We should have lots of good flight photography with the gulls and terns and with Brown Pelican. Nesting Least Tern and nesting Wilson’s Plover are possible.

We will, weather permitting, enjoy 7 shooting sessions. As above, our first afternoon session will follow the meet and greet at 2pm on Wednesday April 19. For the next three days we will have two daily photo sessions. We will be on the beach early and usually be at lunch (included) by 11am. We will have three indoor sessions. At one we will review my images–folks learn a ton watching me choose my keepers and deletes–why keep this one and delete that one? The second will be a review of your images so that I can quickly learn where you need help. For those who bring their laptops to lunch I’d be glad to take a peek at an image or three. Day three will be a Photoshop session during which we will review my complete workflow and process an image or two in Photoshop after converting them in DPP. Afternoon sessions will generally run from 4:30pm till sunset. We photograph until sunset on the last day, Saturday, April 22. Please note that this is a get-your-feet and get-your-butt wet and sandy IPT. And that you can actually do the whole IPT with a 300 f/2.8L IS, a 400 f/4 ID DO lens with both TCs, or the equivalent Nikon gear. I will surely be using my 500 II as my big glass and have my 100-400 II on my shoulder.


fort-desoto-card-b

DeSoto in spring is rife with tame and attractive birds. From upper left clockwise to center: Laughing Gull in flight, adult Yellow-crowned Night-Heron, copulating Sandwich Terns, Roseate Spoonbill, Great Egret with reflection, Short-billed Dowitcher in breeding plumage, American Oystercatcher, breeding plumage Royal Tern, white morph Reddish Egret, and Snowy Egret marsh habitat shot.

What You Will Learn

You will learn to approach free and wild birds without disturbing them, to understand and predict bird behavior, to identify many species of shorebirds, to spot the good situations, to understand the effects of sky and wind conditions on bird photography, to choose the best perspective, to see and understand the light, to get the right exposure every time after making a single test exposure, and to design pleasing images by mastering your camera’s AF system. And you will learn how and why to work in Manual mode (even if you are scared of it).

The group will be staying at the Red Roof Inn, St. Petersburg: 4999 34th St. North, St Petersburg, FL 33714. The place is clean and quite inexpensive. Please e-mail for room block information. And please call Jim or Jennifer at 863-692-0906 to register. All will need to purchase an Annual Pass early on Tuesday afternoon so that we can enter the park at 6am and be in position for sunrise opportunities. The cost is $75, Seniors $55. Tight carpools will be needed and will reduce the per person Annual Pass costs. The cost of three lunches is included. Breakfasts are grab what you can on the go, and dinners are also on your own due to the fact that we will usually be getting back to the hotel at about 9pm. Non-photographer spouses, friends, or companions are welcome for $100/day, $350 for the whole IPT.

BIRDS AS ART Fort DeSoto In-the-Field Meet-up Workshop (ITFW): $99

Fort DeSoto Spring In-the-Field Cheap Meet-up Workshop (ITFW) on the morning of April 22, 2017: $99

Join me on the morning of April 22, 2017 for 3-hours of photographic instruction at Fort DeSoto Park. Beginners are welcome. Lenses of 300mm or longer are recommended but even those with 70-200s should get to make some nice images. Teleconverters are always a plus.

You will learn the basics of digital exposure and image design, autofocus basics, and how to get close to free and wild birds. We should get to photograph a variety of wading birds, shorebirds, terns, and gulls. This inexpensive morning workshop is designed to give folks a taste of the level and the quality of instruction that is provided on BIRDS AS ART Instructional Photo-tours. I hope to meet you there.

To register please call Jim or Jennifer during weekday business hours with a credit card in hand to pay the nominal registration fee. Your registration fee is non-refundable. You will receive a short e-mail with instructions, gear advice, and meeting place one week before the event.


uk-puffins-card-ii-layers

Images and card design copyright: Arthur Morris/BIRDS AS ART. Click on the card to enjoy a spectacular larger version.

2017 UK Puffins and Gannets IPT
Monday July 3 through Monday July 10, 2017: $5999: Limit 10 photographers — Openings: 6). Two great leaders: Arthur Morris and BPN co-owner, BPN Photography Gear Forum Moderator, and long-time BAA Webmaster Peter Kes.

Here are the plans: take a red eye from the east coast of the US on July 2 and arrive in Edinburgh, Scotland on the morning of Monday July 3 no later than 10am (or simply meet us then at the Edinburgh Airport–EDI, or later in the day at our cottages if you are driving your own vehicle either from the UK or from somewhere in Europe). Stay 7 nights in one of three gorgeous modern country cottages.

There are five days of planned puffin/seabird trips and one morning of gannet photography, all weather permitting of course. In three years we have yet to miss an entire day because of weather… In addition, we will enjoy several sessions of photographing nesting Black-legged Kittiwakes at eye level.


uk-puffins-card-iii-layers

Images and card design copyright: Arthur Morris/BIRDS AS ART. Click on the card to enjoy a spectacular larger version.

The Details

We will get to photograph Atlantic Puffin, Common Murre, Razorbill, Shag, and Northern Gannet; Arctic, Sandwich, and Common Terns, the former with chicks of all sizes; Black-headed, Lesser-Black-backed, and Herring Gulls, many chasing puffins with fish; Black-legged Kittiwake with chicks. We will be staying in upscale country-side lodging that are beyond lovely with large living areas and lots of open space for the informal image sharing and Photoshop sessions. The shared rooms are decent-sized, each with a private bathroom. See the limited single supplement info below.

All breakfasts, lunches and dinners are included. All 5 puffins boat lunches will need to be prepared by you in advance, taken with, and consumed at your leisure. I usually eat mine on the short boat trip from one island to the other. Also included is a restaurant lunch on the gannet boat day.

If you wish to fly home on the morning of Monday July 10 we will get you to the airport. Please, however, consider the following tentative plans: enjoy a second Gannet boat trip on the afternoon of Monday July 10 and book your hotel room in Dunbar. If all goes as planned, those who stay on for the two extra days will make a morning landing at Bass Rock, one of the world’s largest gannetries. We will get everyone to the airport on the morning of Wednesday July 12. (We may opt to stay in Edinburgh on the night of July 11.) Price and details should be finalized at least six months before the trip but you will need to be a bit patient. It would be ideal if I can get all the work done by the end of September so that folks can arrange their flights then.


uk-puffins-card-i

Images and card design copyright: Arthur Morris/BIRDS AS ART. Click on the card to enjoy a spectacular larger version. Scroll down to join us in the UK in 2016.

Deposit Info

If you are good to go sharing a room–couples of course are more than welcome–please send your non-refundable $2,000/person deposit check now to save a spot. Please be sure to check your schedule carefully before committing to the trip and see the travel insurance info below. Your balance will be due on March 29, 2017. Please make your check out to “Arthur Morris” and send it to Arthur Morris/BIRDS AS ART, PO Box 7245, Indian Lake Estates, FL, 33855. If we do not receive your check for the balance on or before the due date we will try to fill your spot from the waiting list. If your spot is filled, you will lose your deposit. If not, you can secure your spot by paying your balance.

Please shoot me an e-mail if you are good to go or if you have any questions.

Single Supplement Deposit Info

Single supplement rooms are available on a limited basis. To ensure yours, please register early. The single supplement fee is $1575. If you would like your own room, please request it when making your deposit and include payment in full for the single supplement; your single supplement deposit check should be for $3,575. As we will need to commit to renting the extra space, single supplement deposits are non-refundable so please be sure that check your schedule carefully before committing to the trip and see the travel insurance info below.

Travel Insurance

Travel insurance for big international trips is highly recommended as we never know what life has in store for us. I strongly recommend that you purchase quality insurance. Travel Insurance Services offers a variety of plans and options. Included with the Elite Option or available as an upgrade to the Basic & Plus Options you can also purchase Cancel for Any Reason Coverage that expands the list of reasons for your canceling to include things such as sudden work or family obligation and even a simple change of mind. My family and I use and depend on the great policies offered by TIS whenever we travel. You can learn more here: Travel Insurance Services. Do note that many plans require that you purchase your travel insurance within 14 days of our cashing your deposit check of running your credit card. Whenever purchasing travel insurance be sure to read the fine print careful even when dealing with reputable firms like TSI.


bearboatcubscard-1

Images and card copyright Arthur Morris/BEARS AS ART 🙂

2017 Bear Boat Coastal Brown Bear Cubs IPTs: July 18-24, 2017 from Kodiak, AK: 5 FULL & 2 Half DAYS: $6699. Happy campers only! Maximum 8/Openings 3.

Join me in spectacular Katmai National Park, AK for six days of photographing Coastal Brown Bears. Mid-July is prime time for making images of small, football-sized cubs. The cubs, and these dates, are so popular that I had to reserve them three years in advance to secure them. There are lots of bears each year in June, but the mothers only rarely risk bringing their tiny cubs out in the open in fear of predation by rival bears. In addition to making portraits of both adults and cubs, we hope to photograph frolicking and squabbling youngsters and tender nursing scenes. At this time of year, the bears are either grazing in luxuriant grass or clamming. There will also be some two- and three-year old cubs to add to the fun. And we will get to photograph it all.

We will live on our tour operator’s luxurious new boat. At 78 feet long its 24 foot beam makes it quite spacious as well. And the food is great. We will likely spend most of our time at famed Geographic Harbor as that is where the bears are generally concentrated in summer. On the odd chance that we do need to relocate to another location we can do so quickly and easily without having to venture into any potentially rough seas. We land via a 25 foot skiff that has lots of room for as much gear as we can carry.

Aside from the bears we should get to photograph Horned and Tufted Puffin and should get nice stuff on Mew Gull, Glaucous-winged Gull, Black-legged Kittiwake, Harbor Seal, and Steller’s Sea Lion as well. A variety of tundra-nesting shorebirds including Western Sandpiper and both yellowlegs are also possible. Halibut fishing (license required/not included) is optional.

It is mandatory that you be in Kodiak no later than the late afternoon of July 17 to avoid missing the float planes to the boat on the morning of July 18. Again, with air travel in Alaska (or anywhere else for that matter) subject to possible delays, being on Kodiak on July 16 is a much better plan.

Barring any delays, we will get to photograph bears on our first afternoon and then again every day for the next five days after that, all weather permitting of course. On our last morning on the boat, July 24, those who would like to enjoy one last photo session will have the opportunity to do so. The group will return to Kodiak via float plane from late morning through midday. Most folks will then fly to Anchorage and to continue on red-eye flights to their home cities.

What’s included? 7 DAYS/6 NIGHTS on the boat as above. All meals on the boat. National Park and guide fees. In-the-field photo tips, instruction, and guidance. An insight into the mind of a top professional nature photographer; I will constantly let you know what I am thinking, what I am doing, and why I am doing it. Small group image review, image sharing, and informal Photoshop instruction on the boat.

What’s not included: Your round trip airfare to and from Kodiak, AK (almost surely through Anchorage). Your lodging and meals on Kodiak. The cost of the round-trip float plane to the boat and then back to Kodiak as above. The cost of a round trip last year was $550. The suggested crew tip of $200.

Have you ever walked with the bears?

Is this an expensive trip? Yes, of course. But with 5 full and two half days, a wealth of great subjects, and the fact that you will be walking with the bears just yards away (or less….), it will be one of the great natural history experiences of your life. Most folks who take part in a Bear Boat IPT wind up coming back for more.

A $2,000 per person non-refundable deposit by check only made out to “BIRDS AS ART” is required to hold your spot. Please click here to read our cancellation policies. Then please print, read, and sign the necessary paperwork here and send it to us by mail to PO Box 7245, Indian Lake Estates, FL 33855.

Your deposit is due when you sign up. That leaves a balance of $4699. The next payment of $2699 will be due on September 15, 2016. The final payment of $2000 is due on February 15, 2017. I hope that you can join me for what will be a wondrously exciting trip.


palouse-card-2017layers

Palouse 2016 Horizontals Card

Why Different?

Announcing the 2017 BIRDS AS ART Palouse Instructional Photo-Tour

In what ways will the 2017 BIRDS AS ART Palouse Instructional Photo-Tour be different from the most other Palouse workshops?

There are so many great locations that a seven-day IPT (as opposed to the typical three- or five-day workshops) will give the group time to visit (and revisit) many of the best spots while allowing you to maximize your air travel dollars. In addition, it will allow us to enjoy a slightly more relaxed pace.

You will be assured of being in the right location for the given weather and sky conditions.

You will learn and hone both basic and advanced compositional and image design skills.

You will learn to design powerful, graphic images.

You will visit all of the iconic locations and a few spectacular ones that are much less frequently visited.

You will learn long lens landscape techniques.

You will learn to master any exposure situation in one minute or less.

You will learn the fine points of Canon in-camera (5D Mark III, 5DS R, and 7D II) HDR techniques.

You will be able to share a variety of my exotic Canon lenses including the Canon EF 11-24mm f/4L USM lens and the Canon EF 8-15mm f/4L Fisheye USM lens, aka the “circle lens.”

You will learn to use your longest focal lengths to create rolling field and Urbex abstracts.

You will learn when and how to use a variety of neutral density filters to create pleasing blurs of the Palouse’s gorgeous rolling farmlands.

As always, you will learn to see like a pro. You will learn what makes one situation prime and another seemingly similar one a waste of your time. You will learn to see the situation and to create a variety of top-notch images.

You will learn to use super-wide lenses both for big skies and building interiors.

You will learn when, why, and how to use infrared capture; if you do not own an infrared body, you will get to borrow mine.

You will learn to use both backlight and side-light to create powerful and dramatic landscape images.


palouse-2017-card-layers

Palouse 2016 Verticals Card

The 2017 BIRDS AS ART Palouse Instructional Photo-Tour
June 8-14, 2017. Seven full days of photography. Meet and greet at 7:30pm on Wednesday, June 7: $2,499. Limit 10/Openings: 7.

Rolling farmlands provide a magical patchwork of textures and colors, especially when viewed from the top of Steptoe Butte where we will enjoy spectacular sunrises and at least one nice sunset. We will photograph grand landscapes and mini-scenics of the rolling hills and farm fields. I will bring you to more than a few really neat old abandoned barns and farmhouses in idyllic settings. There is no better way to improve your compositional and image design skills and to develop your creativity than to join me for this trip. Photoshop and image sharing sessions when we have the time and energy…. We get up early and stay out late and the days are long.

Over the past three years, with the help of a friend, we found all the iconic locations and, in addition, lots of spectacular new old barns and breath-taking landforms and vistas. What’s included: In-the-field instruction, guidance, lessons, and inspiration, my extensive knowledge of the area, all lunches, motel lobby grab and go breakfasts, and Photoshop and image sharing sessions. As above, there will be a meet and greet at 7:30pm on the evening before the workshop begins.

To Sign Up

Your non-refundable deposit of $500 is required to hold your spot. Please let me know via e-mail that you will be joining this IPT. Then you can either call Jim or Jennifer at 863-692-0906 during business hours to arrange for the payment of your deposit; if by check, please make out to “BIRDS AS ART” and mail it to: Arthur Morris/BIRDS AS ART, PO Box 7245, Indian Lake Estates, FL, 33855. If you have any questions, please feel free to contact me via e-mail: artie.

Travel Insurance Services offers a variety of plans and options. Included with the Elite Option or available as an upgrade to the Basic & Plus Options. You can also purchase Cancel for Any Reason Coverage that expands the list of reasons for your canceling to include things such as sudden work or family obligation and even a simple change of mind. You can learn more here: Travel Insurance Services. Do note that many plans require that you purchase your travel insurance within 14 days of our cashing your deposit check. Whenever purchasing travel insurance be sure to read the fine print carefully even when dealing with reputable firms like TSI.


galapagpscardbnew2015_0

Tame birds and wildlife. Incredible diversity. You only live once…

GALAPAGOS Photo Cruise of a Lifetime IPT/The Complete Galapagos Photographic Experience. August 8-22, 2017 on the boat. 13 FULL and two half-days of photography: $12,499. Limit: 12 photographers plus the leader: yours truly. Sold out!

Same great trip; no price increase!

My two-week Galapagos Photo-Cruises are without equal. The world’s best guide, a killer itinerary, a great boat (the Samba), and two great leaders with ten Galapagos cruises under their belts. Pre-trip and pre-landing location-specific gear advice. In-the-field photo instruction and guidance. Jeez, I almost forgot: fine dining at sea!

The great spots that we will visit include Tower Island (including Prince Phillips Steps and Darwin Bay), Hood Island (including Punta Suarez, the world’s only nesting site of Waved Albatross, and Gardner Bay)—each of the preceding are world class wildlife photography designations that rank right up there with Antarctica, Africa, and Midway. We will also visit Fernandina, Puerto Ayora for the tortoises, Puerto Egas—James Bay, and North Seymour for nesting Blue-footed Boobies in most years, South Plaza for Land Iguanas, Floreana for Greater Flamingoes, and Urbina Bay, all spectacular in their own right. We visit every great spot on a single trip. Plus tons more. And there will be lots of opportunities to snorkel on sunny mid-days for those like me who wish to partake.

It is extremely likely that we will visit the incredible Darwin Bay and the equally incredible Hood Island, world home of Waved Albatross twice on our voyage. The National Park Service takes its sweet time in approving such schedule changes.

We will be the first boat on each island in the morning and the last boat to leave each island every afternoon. If we are blessed with overcast skies, we will often spend 5-6 hours at the best sites. And as noted above, mid-day snorkeling is an option on most sunny days depending on location and conditions. On the 2015 trip most snorkeled with a mega-pod of dolphins. I eased off the zodiac to find hundreds of dolphins swimming just below me. Note: some of the walks are a bit difficult but can be made by anyone if half way decent shape. Great images are possible on all landings with either a hand held 70-200mm lens and a 1.4X teleconverter or an 80- or 100-400. I sometimes bring a longer lens ashore depending on the landing. In 2017 I will be bring the Canon 400mm IS DO II lens. In the past I have brought either the 300mm f/2.8L IS II or the 200-400mm f/4 L IS with Internal Extender.


galapagos-card-a2015

Do consider joining me for this once in a lifetime trip to the Galapagos archipelago. There simply is no finer Galapagos photography trip. Learn why above.

An Amazing Value…

Do know that there are one week Galapagos trips for $8500! Thus, our trip represents a tremendous value; why go all that way and miss half of the great photographic locations?

The Logistics

August 6, 2017: We arrive in Guayaquil, Ecuador a day early to ensure that we do not miss the boat in case of a travel delay.

August 7, 2017: There will be an introductory Galapagos Photography session and a hands on exposure session at our hotel.

August 8, 2017: We fly to the archipelago and board the Samba. Heck, on the 2015 trip some people made great images at the dock in Baltra while our luggage was being loaded!

August 22, 2017: We disembark late morning and fly back to Guayaquil midday; most will overnight there.

Most will fly home on the early morning of August 23 unless they are staying on or going elsewhere (or catching a red-eye flight on the evening of the 22nd).

$12,499 includes just about everything: all transfers, guide and park fees, all food on the boat, transfers and ground transportation, your flights to the archipelago, and three nights (double occupancy) in a top notch hotel in Guayaquil. If you are good to go, a non-refundable deposit of $5,000 per person is due immediately. The second payment of $4,000 is not due until 11/1/16. The final payment of $3449 per person will be due on 2/1/17. A $200 discount will be applied to each of the balances for couples or friends who register at the same time.

Purchasing travel insurance within 2 weeks of our cashing your deposit check is strongly recommended. On two fairly recent cruises a total of 5 folks were forced to cancel less than one week prior to the trip. My family and I use Travel Insurance Services and strongly recommend that you do the same.

Not included: your round trip airfare from your home to and from Guayaquil, beverages on the boat, phone calls, your meals in Guayaquil, personal items, and a $600/person cash tip for the crew and the guide—this works out to roughly $40/day to be shared by the 7 folks who will be waiting on us hand and foot every day for two weeks. The service is so wonderful that many folks choose to tip extra.

Please e-mail for the tentative itinerary or with questions. Please cut and paste “Galapagos 2017 Tentative Itinerary Please” into the Subject line.

no images were found

2017 in San Diego was a very good year ….

2018 San Diego 4 1/2-DAY BIRDS AS ART IPT: Monday, JAN 15 thru and including the morning session on Friday, JAN 19, 2018: 4 1/2 days: $2099.

Limit: 8: Openings: 4

Meet and Greet at 6:30pm on the evening before the IPT begins; Sunday, Jan 14, 2018.

Join me in San Diego to photograph the spectacular breeding plumage Brown Pelicans with their fire-engine red and olive green bill pouches; Brandt’s (usually nesting and displaying) and Double-crested Cormorants; breeding plumage Ring-necked Duck; other duck species possible including Lesser Scaup, Redhead, Wood Duck and Surf Scoter; a variety of gulls including Western, California, and the gorgeous Heerman’s, all in full breeding plumage; shorebirds including Marbled Godwit, Whimbrel, Willet, Sanderling and Black-bellied Plover; many others possible including Least, Western, and Spotted Sandpiper, Black and Ruddy Turnstone, Semipalmated Plover, and Surfbird; Harbor Seal (depending on the current regulations) and California Sea Lion; and Bird of Paradise flowers. And as you can see by studying the two IPT cards there are some nice bird-scape and landscape opportunities as well. Please note: formerly dependable, both Wood Duck and Marbled Godwit have been declining at their usual locations for the past two years …


san-diego-card-neesie

San Diego offers a wealth of very attractive natural history subjects. With annual visits spanning more than three decades I have lot of experience there….

With gorgeous subjects just sitting there waiting to have their pictures taken, photographing the pelicans on the cliffs is about as easy as nature photography gets. With the winds from the east almost every morning there is usually some excellent flight photography. And the pelicans are almost always doing something interesting: preening, scratching, bill pouch cleaning, or squabbling. And then there are those crazy head throws that are thought to be a form of intra-flock communication. You can do most of your photography with an 80- or 100-400 lens …

Did I mention that there are wealth of great birds and natural history subjects in San Diego in winter?


san-diego-card-b

Though the pelicans will be the stars of the show on this IPT there will be many other handsome and captivating subjects in wonderful settings.

The San Diego Details

This IPT will include five 3 1/2 hour morning photo sessions, four 2 1/2 hour afternoon photo sessions, four lunches, and after-lunch image review and Photoshop sessions. To ensure early starts, breakfasts will be your responsibility. Dinners are on your own so that we can get some sleep.

A $599 non-refundable deposit is required to hold your slot for this IPT. You can send a check (made out to “Arthur Morris) to us at BIRDS AS ART, PO Box 7245, Indian Lake Estates, FL, 33855. Or call Jim or Jennifer at the office with a credit card at 863-692-0906. Your balance, payable only by check, will be due on 9/11//2016. If we do not receive your check for the balance on or before the due date we will try to fill your spot from the waiting list. Please print, complete, and sign the form that is linked to here and shoot it to us along with your deposit check. If you register by phone, please print, complete and sign the form as noted above and either mail it to us or e-mail the scan. If you have any questions, please feel free to contact me via e-mail.

6 comments to BIRDS AS ART BULLETIN #365

  • avatar Selwin

    I don’t have any trouble viewing images in normal size, though I view them on the web site, not the email. I do have another question though: somewhere on this site it says one can click on any image to see a larger version. That has never worked on my computers. I have three Macs, all on SnowLeopard and all on the latest updates. Am I confused?

    • avatar admin

      Selwin, the images in the bulletins are displayed at maximum size (800 wide). A larger image is not available. References to viewing larger images are ‘old’ posts. Where did you see those ?

  • avatar Dena Proctor

    Hello Arthur,
    I recently found your blog through OP magazine. I just wanted you to know that I really am enjoying your blog, and I think your blog And of course your photos are super great! I love these pelican pictures, maybe one day i’ll make it to greece for some of my own. I bought the new 70-200 ll a few months ago,but haven’t been able to try it yet (family stuff)…but after readiing your article about how much you like the lens, I am really inspired and looking forward to using it!!! I think I wiil get a 1×4 TC lll as my next purchase. Thanks for all of your work on your blog and for your inspiring information and pictures!
    Dena

    • avatar Arthur Morris/BIRDS AS ART

      Thanks for your kind words Dena. And best of luck on all counts. Now get out there and make some images!

  • avatar Jon Saperia

    I wonder if others that use Macs have had difficulty with images rendering on the email version of the bulletin. The last bulletin that I have that rendered correctly was 359.

    /jon

    • avatar Arthur Morris/BIRDS AS ART

      We would appreciate hearing from anyone having problems after giving the images time to load. Right now it looks as if Jon is the only one….