February 28th, 2013

BIRDS AS ART BULLETIN #432

  • The Canon 500mm f/4L IS II vs. the Canon 600mm f/4L IS II
  • Please, Please, Pretty Please
  • Fort DeSoto/Hooptie Deux/Roseate Spoonbill Short Notice IPT
  • TPPA Convention Keynote
  • The SW FLA IPT Report
  • Swan Island Dahlia Farm Instructional Photo-Tour
  • Used Camera Gear
  • IPT Info

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This landing Royal Tern was photographed on the In-the-Field Workshop at Fort DeSoto earlier this week with the hand held Canon EF 600mm f/4L IS II USM lens and the Canon EOS-1D X Digital SLR camera. ISO 400. Evaluative metering at zero as framed: 1/2000 sec. at f/7.1 in Manual mode confirmed by histogram check.

Central sensor Surround/AI Servo/Rear Focus AF active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. Click on the image to see a larger version.

I am able to hand hold the 600II for flight and action for short periods of time.

The Canon 500mm f/4L IS II vs. the Canon 600mm f/4L IS II

Many folks have written asking for advice on which of these two great lenses to purchase. If you have that dilemma you are truly blessed as the price tag on each is borderline astronomical. I am pretty blessed myself as I own one of each. Let’s make a category by category comparison of the Canon 500mm f/4L IS II vs. Canon 600mm f/4L IS II lenses.

Cost

The cost of a new 500 II at B&H is $10,399 while the current B&H price tag on the 600 II is $12,799. You will not find either lens for a penny less anywhere. The big advantage here for most folks goes to the 500 II. Let’s call it a $2400 advantage. The 500 II costs 18 3/4% less than the 600 II.

Weight

The 500 II weighs 7.04 pounds (3.19 kgs). The 600 II weighs 8.65 pounds (3.93 kgs). The new 600 is 1.61 pounds heavier than the new 500. The 500 II weighs 18.6% less than the 600 II. Again, the advantage goes to the 500 II but by a somewhat smaller margin than one might have thought.

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This vertical front-end portrait of a young Yellow-crowned Night Heron was created with the hand held Canon 500mm f/4L EF IS II lens, the Canon 1.4x EF tele-extender III, and the Canon EOS-1D X. ISO 2000. Evaluative metering +1 stop: 1/500 sec. at f/6.3 in Manual mode.

61-Point/AI Servo Rear Focus AF active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. Click on the image for a larger version.

In short, hand holding the 500 II is easier than hand holding the 600 II with or without either teleconverter.

Hand Hold-ability

Here I can only relate my experience with these lenses. I have hand held the 500 II, mostly with the 1.4X III teleconverter, for an entire morning. I was sore the next day. Since then I have hand held it occasionally for flight and for action. I have hand held the new 600 for a short while for flight and action, with and without the 1.4X teleconverter. And even for a short while with the 2X TC (with success).

Both lenses are similarly designed with the balance point much farther back that on previous Canon super-telephoto lenses. This makes the lenses seem a lot lighter than they actually are and enables younger and stronger folks to hand hold them routinely for bird photography. Many of these folks no longer take a tripod into the field, enjoying the freedom of hand holding for flight and action while not having to maneuver and position a relatively heavy and cumbersome tripod. I am not one of them. On occasion I head out without a tripod, usually with the 500 II but occasionally with the 600 II. Each lens features an incredible 4-stop image stabilization system that really helps when hand holding with static subjects.

It is important to note that it is easier to hand hold for flight and for action that it is to hand hold while trying to photograph static subjects unless you are seated or are otherwise able to support the lens. Lactic acid builds up quickly when you are attempting to hold the lens up and in place. Note also that if you photograph on a regular basis and hand hold a lens that is too heavy for you, the risk of injury is real. Wrist, elbow, and shoulder problems are commonplace for folks who whose eyes and dreams are bigger than their muscles and joints are strong.

Is hand holding either of these lenses right for you? I cannot possibly answer that question and can only advise that you try before you buy.
The hand holding advantage clearly goes to the 500 II.

Important hand holding note: sitting on the ground and resting either your left forearm or the lens foot on your left knee (I prefer the former) makes hand holding for static subjects a lot more practical for most folks. And the images will be a lot sharper especially for those like me who simply do not have the strength and endurance to hand hold either lens when working with perched or resting birds.

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This image of a preening King Penguin was created at Fortuna Bay, South Georiga with the tripod mounted Canon 500mm f/4L EF IS II lens, the Canon 1.4x EF tele-extender III, and the Canon EOS-1D X. ISO 400. Evaluative metering +1 2/3 stops as framed: 1/1250 sec. at f/6.3 in Manual mode.

Central sensor Surround/AI Servo Rear Focus AF on the bird’s eye and recompose. Click here if you missed the Rear Focus Tutorial. Click on the image for a larger version.

In short, traveling with the 500II to places with tame birds, especially those with weight restrictions, is far easier with the 500 II than with the 600 II.

Ease of Transport and Handling

Being physically smaller, shorter, and less bulky than the 600 II, the 500 II is far easier to travel with, especially by air. And when working in a vehicle or on the ground, it is much easier to maneuver and handle the 500 II than it is to work with the 600 II.

Note that though the 600II weighs only 1.61 pounds more than the 500 II and less than 2 ounces more than the old 500 it is larger and bulkier.

Advantage: 500 II.

Minimum Focusing Distance

Both of the new super-telephoto lenses offer excellent minimum focusing distances (MFDs). The MFD of the 500 II is 12.14 feet or 3.7 meters. The MFD of the 600 II is 14.77 feet or 4.5 meters. The new 500mm f/4L IS II lens is able to focus 2.3 feet (or 15.6%) closer than the new 600. Here again the advantage goes to the Canon 500 f/4L IS II.

Magnification

Do not be fooled by thinking that the longer of two lenses will have the greater magnification. Magnification is a function of both the length of the lens and the Minimum Focusing Distance. Both the 500 II and the 600 II have a magnification of 0.15x. This one is a tie.

Angle of View

All 500mm lenses have a diagonal angle of view of 5 degrees. All 600mm lenses have a diagonal angle of view of 4.1 degrees. A narrower angle of view will reduce background clutter to some degree. The edge here goes to the 600 II.

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This Royal Tern head portrait was on last Monday’s In-the-Field Workshop at Fort DeSoto with the created tripod-mounted Canon EF 600mm f/4L IS II USM lens, the Canon 2x EF Extender III (Teleconverter), and the Canon EOS-1D X Digital SLR camera. ISO 400: 1/1000 sec. at f/11 in Manual Mode is the equivalent of my standard ISO 400 bright sunny day WHITE exposure: 1/2000 sec. at f/8.

Central sensor (by necessity) Expand/AI Servo/Rear Focus AF on the base of the open bill active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. Click on the image to see a larger version.

You cannot beat the 600II/2XIII TC combo for reach (with phase detection AF).

Reach: The Size of the Subject in the Frame

The size of the subject in the frame is a function of the square of the focal length. A subject that fills 25% (5X5) of the frame in an image created with a 500mm lens will fill 36% (6X6) of the frame if photographed with a 600mm lens from the same distance. The huge advantage here goes to the 600 II which will render the subject 44% larger in the frame than the 500 II.

Along with this huge advantage comes less disturbance of birds and wildlife and less chance of flushing a desirable subject while approaching. It is difficult to quantify or overstate the importance of these closely related factors.

Subjects and Location

What do you photograph? Are the bird species in your area small or extremely skittish? Or do you live in Florida where many of the target species are large and easily approachable? If the former, you would lean towards the 600 II. If the latter, towards the 500 II. If you travel regularly to places where the birds and wildlife are silly tame, places like the Galapagos and the Southern Oceans, then you should be leaning towards the 500 II. At most locations in Africa the birds are just not that tame so the 600 II is what I will be bringing with me this August. You need to consider both your home turf and your travel plans when considering which of these two great lenses might be best for you.

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This Great Egret head portrait image was created at Little Estero Lagoon on the SW FLA IPT with the tripod-mounted Canon EF 600mm f/4L IS II USM lens, the Canon 1.4x EF Extender III (Teleconverter), and the Canon EOS-1D X Digital SLR camera. ISO 400. Evaluative metering -1/3 stop: 1/1250 sec. at f/13 in Manual mode confirmed by histogram check.

Central sensor Surround/AI Servo/Rear Focus AF active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. Click on the image to see a larger version.

Most of the time I will be working with the 600 on a Gitzo 3532 LS tripod topped by a Mongoose M3.6. Both the 500II and the 600II have superb minimum focusing distances.

Your Style

Do you like to create bird-scapes featuring small in the frame subjects or do you prefer to work tight and make lots of head portraits? If you like to work wide most of the time the 500 II might be best for you. If, like me, your style leans towards clean, tight, and graphic, the 600 II will make your life easier.

Lucky Me

As above, I am fortunate to be able to own both the 500 II and the 600 II. I will travel with the 500 II when weight and size are issues and when I am traveling to places with very tame birds and wildlife, places like the Galapagos, the Falklands, South Georgia, and Antarctica. I use it when I want to hand hold while traveling light. For Africa and Japan where reach is more important, I will opt for the 600II. And the same is true for most of the places that I visit in North America, even Florida for the most part.

The Bottom Line

If I could own only one super-telephoto lens for bird photography the no-brainer choice would be the Canon 600mm f/4L IS II.

Please, Please, Pretty Please

If you enjoy the blog, if you learn from the blog and from the Bulletins, if you appreciate the work that I am doing here, if the information you have gleaned here has influenced you to purchase either of these great lenses, then please, please, pretty please choose to use one of the two affiliate links below to make your purchase.

Doing so will not cost you a penny. You will be assured of the best price anywhere and receive the customarily great B&H customer service. Yesterday’s blog post took me about five hours to create, this bulletin about 7 hours. Using our affiliate links or the search boxes below is a great way to say thanks and to show your appreciation.

Please remember to purchase your tripods, LensCoats, lens plate and low feet, Wimberley heads and Mongooses and the rest of your accessories from the BAA Store. Your patronage there is greatly appreciated as well.

Fort DeSoto/Hooptie Deux/Roseate Spoonbill Short Notice IPT

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This preening Roseate Spoonbill in full breeding plumage was photographed last year at Alafia Banks with the tripod-mounted Canon EF 800mm f/5.6L IS USM Autofocus lens, the Canon 1.4x EF Extender III (teleconverter), and the Canon EOS-1D Mark IV now replaced by the Canon EOS-1D X digital SLR . ISO 500. Evaluative metering +1/3 stop as framed: 1/800 sec. at f/11 in Manual mode.

Central sensor/AI Servo Rear Focus AF on the bird’s face and recompose. Click here if you missed the Rear Focus Tutorial. Click on the image for a larger version.

The very best opportunities in Florida to photograph this species in breeding plumage are with Captain James Shadle on the Hooptie Deux.

Fort DeSoto/Hooptie Deux/Roseate Spoonbill Short Notice IPT: March 6-10, 2013. 5-DAY: $2399 (Includes 3 mornings on the Hooptie Deux). Limit: 6/Openings: 2.

Join me as part of a small group for five great days of bird photography and learning. We will spend three mornings with the breeding plumage spoonbills on James Shadle’s customized pontoon boat. This alone would cost you $1050 so this works out to the cheapest IPT ever: 5 full days for only $1349. We will spend two of our mornings and four of our afternoons at Fort DeSoto photographing all manner of wading birds, gulls, terns, and almost surely some Great Horned Owl chicks. Our last afternoon will be spent at an active Wood Stork rookery with lots of flight photography opportunities.

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This displaying Roseate Spoonbill in full breeding plumage was photographed last March at Alafia Banks with the tripod-mounted Canon EF 800mm f/5.6L IS USM Autofocus lens, the Canon 1.4x EF Extender III (teleconverter), and the Canon EOS-1D Mark IV now replaced by the Canon EOS-1D X digital SLR . ISO 400. Evaluative metering -1/3 stop as framed: 1/800 sec. at f/11 in Manual mode.

Central sensor/AI Servo Rear Focus AF on the bird’s face and recompose. Click here if you missed the Rear Focus Tutorial. Click on the image for a larger version.

The New Concept IPT

At lunch after the Fort DeSoto In-the-Field Workshop, I had the group look over my shoulder as I picked my keepers from the morning session on my laptop. In addition to learning why I selected one or several images from a series, folks got to see the images that I created and compare them to the images that they had made. One very nice man, Chuck Murphy, who was using the same lens as me–the 600 II, was amazed. He said, “Having the chance to see the images that you created and to watch you edit them was worth the price of admission for the whole weekend. (Chuck attended the weekend seminar as well as the ITF-Workshop.)

That set me to thinking about a new type of IPT, one with lots of photography, one with lots of small group in-the-field instruction, one with folks watching me edit my day take every day at lunch, one where folks have a chance to share their images from each session. (Bringing your laptop to lunch is of course a necessity.)

The Hooptie Deux mornings will offer lots of great flight photography not only with spoonbills, many in full breeding plumage and many carrying nesting material, but with Brown Pelicans and Double-crested Cormorants (many also carrying nesting material), Reddish Egret and White Ibis in full breeding plumage, Great Egret, Great Blue Heron, Turkey and Black Vultures, and lots more.

At DeSoto the Laughing Gulls will be in splendid breeding plumage with their full black hoods, their wine-red bills, and white eye crescents. They are one of our most under-appreciated species. The Royal, Sandwich, and Forster’s Terns will also be in breeding plumage. And all of these species will be displaying, courting, and mating. You can also expect a variety of shorebirds including Long-billed Curlew, Marbled Godwit, Dunlin, and many more. And you will need to beat the Willets off with a stick. The additional possibilities are too numerous to mention.

All of the above plus practically private access to one of the planet’s premier photographic educators represents a rare opportunity to grow as a nature photographer. A $500 deposit is needed to hold your spot; call us at 1-863-692-0906. Your deposit may be placed with a credit card. Your payment in full by personal check will then be due along with your completed paperwork both sent via US Mail. If you would rather pay in full via personal check, please immediately to save your spot. I have no idea whether anyone will sign up or if folks will think that the new concept is nothing special. I am sure that it will be a huge success, a new way of learning. As always, this IPT will run with only a single registrant. Yeah, I know that I am nuts but I cannot live with telling folks who have arranged time off from work and made travel plans that I am cancelling the IPT because I will not be making enough money to justify running the trip….

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TPPA Convention & Keynote Presentation

I will be presenting the keynote address at the Texas Professional Photographer’s Association Convention in Arlington, TX on the evening of March 16. My appearance is being generously sponsored by Canon USA/Explorers of Light. I hope that you can make it. Here is additional information on the convention:

Weekend Photo Event: 24 programs and Trade Show only $49: March 15-17, 2013

Attend the event with the best photographic education value in America! For only $49 you can attend your choice of 24 different programs from Landscape Photography, Understanding Exposure, How to enter Print Competition, People Photography, Fashion and Boudoir Photography, Pet photography, How to Get Published, Adobe Lightroom, Nature Photography, Sports Photography, How to Turn your photos to Art and much more! On Saturday evening we have Arthur Morris, one of the nations top bird photographers, doing his “A Bird Photographers Story” program!

How would you like the chance to have your work published in our award winning, regional photography magazine. You can participate in the Print Competition and get into the Trade Show absolutely FREE! Just announced, win a LexJet trophy and $100 if your entry was printed on LexJet product. We also have several Hands-On programs on Friday March 15 on PhotoShop, Posing, Lighting, How to Market Your Photo Business and more for a small additional cost. You must pre-register for the event at www.tppa.org but you DO NOT have to register for the classes on Saturday and Sunday. You can attend as many or as few as you want! All will take place be at the Arlington Convention Center just 15 minutes from DFW.

Regardless of your skill level, you’ll find something for you! Please join us! Even if you and only attend one day! Learn more here.

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This bathing Royal Tern image was created on the SW FLA IPT with the hand held Canon EF 600mm f/4L IS II USM lens, the Canon 1.4x EF Extender III (Teleconverter), and the Canon EOS-1D X Digital SLR camera. ISO 400. Evaluative metering at zero as framed: 1/2000 sec. at f/7.1 in Manual mode confirmed by histogram check.

Central sensor Surround/AI Servo/Rear Focus AF active at the moment of exposure. Click here if you missed the Rear Focus Tutorial. Click on the image to see a larger version.

The SW FLA IPT Report

Same old, same old. Great folks, great weather after a nippy start–it was 37 degrees on our second morning, non-stop learning, total exhaustion, great food, and oodles of great photographic opportunities. As usual I had heard that Little Estero Lagoon was poor with few birds. As usual it was spectacular with lots of great birds. The problem is that most folks do not know where they should be in the early morning…. Learn the details in our Southwest Florida Site Guide.

IPT veterans along included Dierdre Sheer-Gross of New Hampshire–she is really getting it now after her third IPT, Alan and Pat Lillich who will be traveling with us to Holland in a few weeks and to Japan in February of 2014, Gaurav Mittal a skilled young photographer who traveled all the way from India for his fourth IPT, Bill Wingfield, a real sweetie of a doctor from Charleston, SC who is also improving by leaps and bounds, the quiet Brent Bridges, and crotchety old man Bill Goodhew who was with me in Bosque about a decade ago. The newcomers included soft-spoken retired geologist Ron May, Nikon-guy Russell Kinnerson, who with his irrepressible smile is the epitome of a Happy Camper, and Sheila Blamire and husband Geoffe who traveled from the UK for their first IPT. Sheila had a stroke a while back but did very well. Everyone admired her determination. The way that Geoffe took helped her and took care of her during the IPT was inspiring to all who attended.

You can see images from the IPT in Shades of Pink and Blue here, in Shades of White here, in Is It Real? here, in One Snowy Egret Stretching to Land = So Much to Learn here, in Baptism Under Fire here, and here where you can take the Exposure Quiz if you hurry.

Swan Island Dahlia Farm Instructional Photo-Tour

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All images courtesy of and copyright 2012: Denise Ippolito. Click for a larger version.

A Creative Adventure/BIRDS AS ART Swan Island Dahlia Farm Instructional Photo-Tour, September 11-15, 2013: 5 FULL DAYS: $1649

Join Denise Ippolito and Arthur Morris at the Swan Island Dahlia Farm in Canby Oregon (just south of Portland) for a great learning and photography experience. Swan Island features more than 40 acres with over 350 varieties of dahlias in a plethora of colors, shapes and sizes, making it one of the largest growers in the United States.

Daily Photo Schedule

We will enjoy four morning (7:00am till 10:30am) and five afternoon (3:30pm till 6pm) photography sessions. While we will do most of our photography at the Swan Island Dahlia Farm, we will also visit the Portland Rose Garden and/or the Portland Japanese Garden on this IPT. The in-the-field instruction will include seeing the situation, the use of selective focus, creative use of depth of field, histogram and exposure guidance, designing creative images, choosing your background, isolating your subject, lens options, and the use of reflectors and diffusers. Our field sessions will include challenging photography assignments geared to make you think creatively. Both personalized and small group instruction will be provided. All times are tentative and subject to change based on the weather and on local conditions.

Seminar Morning: Friday, September 13: 8:30am till 12:30pm

Denise will begin by presenting her “Bloomin’ Ideas” program, an overview of the in-the-field and post-processing techniques that she has used and developed over the past few years to create her signature look. Artie will follow with a Photoshop session that will be geared towards all levels. He’ll be sharing some of his favorite techniques and tips while working on images from the first two days of the IPT. Denise will conclude the seminar portion of the IPT with a Photoshop demo; she will share her creative workflow using a variety of Photoshop filters and effects. The entire morning is designed to give you a peek into the minds of two very skilled and creative folks.

The group will have lunch together daily. All are invited to bring their laptops for image sharing. We hope that you can join us for an intense five days of learning and some of the best flower photography to be had in North America.

Deposit Info and Cancellation Policies:

A $449 non-refundable deposit is required to hold your slot for this IPT. Your balance is due 5 months before the date of the IPT and is also non-refundable. If the trip fills, we will be glad to apply a credit applicable to a future IPT for the full amount less a $100 processing fee. If we do not receive your check for the balance on or before the due date we will try to fill your spot from the waiting list. If your spot is filled, you will lose your deposit. If not, you can secure your spot by paying your balance.

Please print, complete, and sign the form that is linked to here and shoot it to us along with your deposit check (made out to “Arthur Morris.”) You can also leave your deposit with a credit card by calling the office at 863-692-0906. We will be short-handed in the office until January 21 so please leave a message and we will call you back. If you register by phone, please print, complete and sign the form as noted above and either mail it to us or e-mail the scan.

If you have any questions, please feel free to contact me via e-mail

Used Camera Gear

Dr. Steve Bein

Steve is offering a mint condition lightly used Canon 600mm f/4L IS L lens for sale, used only once for $7,000 insured ground shipping included. The purchase includes the lens trunk, a LensCoat, the 4th generation foot, and the original Canon foot all in the original box.

Please contact Steve via e-mail or call him at home at 1-310-838-2346. As a last resort try him on his cell at 1-310-850-6061.

Ramona Boone

Ramona is offering the following used items for sale:

Canon EF 500mm f/4L IS lens with its trunk, leather cover, hood, rear lens cap, drop in filter holder, forest green Lens Coat, strap, and 4th generation NP 51 low foot. All in very good condition. Just serviced by Canon: $5900.

Please contact Ramona with any questions: 1-719 231 5874 or via e-mail.

Denise Ippolito

Denise Ippolito is offering a Canon EOS-5D Full Frame Sensor 12 mp Digital SLR Camera in excellent condition for $800.00. Please contact Denise via e-mail.

Typos

On all blog posts, feel free to e-mail or leave a comment regarding any typos, wrong words, misspellings, omissions, or grammatical errors. Just be right. 🙂

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LensCoats. I have a LensCoat on each of my big lenses to protect them from nicks and thus increase their re-sales value. All my big lens LensCoat stuff is in Hardwood Snow pattern.
LegCoat Tripod Leg Covers. I have four tripods active and each has a Hardwood Snow LegCoat on it to help prevent further damage to my tender shoulders 🙂 And you will love them in mega-cold weather....
Gizo GT3532 LS CF Tripod. This one replaces the GT3530LS Tripod and will last you a lifetime. Learn more about this great tripod here.
Mongoose M3.6 Tripod Head. Right now this is the best tripod head around for use with lenses that weigh less than 9 pounds. For heavier lenses, check out the Wimberley V2 head.
Double Bubble Level. You will find one in my camera's hot shoe whenever I am not using flash.
The Lens Align Mark II. I use the Lens Align Mark II pretty much religiously to micro-adjust all of my gear an average of once a month and always before a major trip. Enjoy our free comprehensive tutorial here.
BreezeBrowser. I do not see how any digital photographer can exist without this program.
Delkin Flash Cards. I use and depend on Delkin compact Flash Cards and card readers most every day. Learn more about their great 700X and 1000X cards here or about my favorite Delkin card here.

BIRDS AS ART Instructional Photo Tours (IPTs)

Click here for BIRDS AS ART Instructional Photo-Tour (IPT) General Information.

Click here for BIRDS AS ART Instructional Photo-Tour (IPT) Deposit and Cancellation Policies.

Click here for BIRDS AS ART Instructional Photo-Tour (IPT) Registration and Release Forms.

If you have any questions, please feel free to contact me via e-mail.

Please scroll down for info on each of the following:

  • Gatorland Mini-IPT: 1 1/2 days: AM and PM shooting sessions on Saturday, March 4 and a morning session on Sunday, March 5.
  • BIRDS AS ART Fort DeSoto In-the-Field Meet-up Workshop (ITFW) on the morning of April 22, 2017: $99
  • Fort DeSoto Spring IPT/April 19, 2017 (meet & greet and afternoon session) through the full day on April 22, 2017. 3 1/2 DAYs: $1599.
  • 2017 UK Puffins and Gannets IPT, July 3-10, 2017: $5999.
  • 2017 Bear Boat Coastal Brown Bear Cubs IPT: July 18-24, 2017 from Kodiak, AK: 5 FULL & 2 Half DAYS: $6699
  • 2017 BIRDS AS ART Palouse Instructional Photo-Tour: June 8-14, 2017: $2,499
  • GALAPAGOS Photo Cruise of a Lifetime IPT/The Complete Galapagos Photographic Experience. August 8-22, 2017 on the boat. 13 FULL and two half DAYS of photography: $12,499. Limit: 12 photographers plus the leader: yours truly. Sold out!.
  • 2018 San Diego 4 1/2-DAY BIRDS AS ART IPT: Monday, JAN 15 thru and including the morning session on Friday, JAN 19, 2018: 4 1/2 days: $2099

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Great Egrets in breeding plumage are a beautiful sight …

Gatorland Mini-IPT: 1 1/2 days: AM and PM shooting sessions on Saturday, March 4 and a morning session on Sunday, March 5: $749. Limit 6/Openings 4.

Join me in Kissimmee, FL in early March, prime time to to photograph Great Egrets in breeding plumage. We should get to make lots of head portraits with most any lens and to photograph them building nests, displaying, copulating, and flying. Eggs for sure. Tiny chicks likely. And most likely breeding Wood Storks as well. Learn to see, find, and make the shot in cluttered settings. Learn exposure and how to handle the WHITEs. Learn fill flash and flash as main light. Includes a working lunch on me on Saturday with image review and Photoshop. We may see and photograph some early Snowy Egrets and Tricolored Herons. And of course, we will see and photograph the captive American Alligators. All of the birds are free and wild.

To pay in full via credit card, call Jim or Jen in the office weekdays at 863-692-0906. You will be responsible for the cost of your Gatorland Photographer’s pass. Early entry both mornings and late stay on Saturday.


fort-desoto-card

DeSoto in spring is rife with tame and attractive birds. From upper left clockwise to center: breeding plumage Dunlin, dark morph breeding plumage Reddish Egret displaying, breeding plumage Laughing Gull/front end vertical portrait, breeding plumage Laughing Gull with prey item, Laughing Gull on head of Brown Pelican, screaming Royal Tern in breeding plumage, Royal Terns/pre-copulatory stand, Laughing Gulls copulating, breeding plumage Laughing Gull/tight horizontal portrait, Sandwich Tern with fish, and a really rare one, White-rumped Sandpiper in breeding plumage, photographed at DeSoto in early May.

Fort DeSoto Spring IPT/April 19-22, 2017. (meet & greet at 2pm on Wednesday April 19 followed by an afternoon session) through the full day on Saturday April 22. 3 1/2 DAYs: $1599. Limit 10. To save your spot, please call and put down a non-refundable deposit of $499.00.

I will be offering small group (Limit 3) Photoshop sessions on Sunday afternoon and Monday morning if necessary. Details on that TBA.

Fort DeSoto is one of the rare locations that might offer great bird photography 365 days a year. It shines in spring. There will Lots of tame birds including breeding plumage Laughing Gull and Royal and Sandwich Terns. With luck, we will get to photograph all of these species courting and copulating. There will be American Oystercatcher and Marbled Godwit plus sandpipers and plovers, some in full breeding plumage. Black-bellied Plover and Red Knot in stunning breeding plumage are possible. There will be lots of wading birds including Great and Snowy Egrets, both color morphs of Reddish Egret, Great Blue, Tricolored and Little Blue Heron, Yellow-crowned Night-Heron, and killer breeding plumage White Ibis. Roseate Spoonbill and Wood Stork are possible and likely. We should have lots of good flight photography with the gulls and terns and with Brown Pelican. Nesting Least Tern and nesting Wilson’s Plover are possible.

We will, weather permitting, enjoy 7 shooting sessions. As above, our first afternoon session will follow the meet and greet at 2pm on Wednesday April 19. For the next three days we will have two daily photo sessions. We will be on the beach early and usually be at lunch (included) by 11am. We will have three indoor sessions. At one we will review my images–folks learn a ton watching me choose my keepers and deletes–why keep this one and delete that one? The second will be a review of your images so that I can quickly learn where you need help. For those who bring their laptops to lunch I’d be glad to take a peek at an image or three. Day three will be a Photoshop session during which we will review my complete workflow and process an image or two in Photoshop after converting them in DPP. Afternoon sessions will generally run from 4:30pm till sunset. We photograph until sunset on the last day, Saturday, April 22. Please note that this is a get-your-feet and get-your-butt wet and sandy IPT. And that you can actually do the whole IPT with a 300 f/2.8L IS, a 400 f/4 ID DO lens with both TCs, or the equivalent Nikon gear. I will surely be using my 500 II as my big glass and have my 100-400 II on my shoulder.


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DeSoto in spring is rife with tame and attractive birds. From upper left clockwise to center: Laughing Gull in flight, adult Yellow-crowned Night-Heron, copulating Sandwich Terns, Roseate Spoonbill, Great Egret with reflection, Short-billed Dowitcher in breeding plumage, American Oystercatcher, breeding plumage Royal Tern, white morph Reddish Egret, and Snowy Egret marsh habitat shot.

What You Will Learn

You will learn to approach free and wild birds without disturbing them, to understand and predict bird behavior, to identify many species of shorebirds, to spot the good situations, to understand the effects of sky and wind conditions on bird photography, to choose the best perspective, to see and understand the light, to get the right exposure every time after making a single test exposure, and to design pleasing images by mastering your camera’s AF system. And you will learn how and why to work in Manual mode (even if you are scared of it).

The group will be staying at the Red Roof Inn, St. Petersburg: 4999 34th St. North, St Petersburg, FL 33714. The place is clean and quite inexpensive. Please e-mail for room block information. And please call Jim or Jennifer at 863-692-0906 to register. All will need to purchase an Annual Pass early on Tuesday afternoon so that we can enter the park at 6am and be in position for sunrise opportunities. The cost is $75, Seniors $55. Tight carpools will be needed and will reduce the per person Annual Pass costs. The cost of three lunches is included. Breakfasts are grab what you can on the go, and dinners are also on your own due to the fact that we will usually be getting back to the hotel at about 9pm. Non-photographer spouses, friends, or companions are welcome for $100/day, $350 for the whole IPT.

BIRDS AS ART Fort DeSoto In-the-Field Meet-up Workshop (ITFW): $99

Fort DeSoto Spring In-the-Field Cheap Meet-up Workshop (ITFW) on the morning of April 22, 2017: $99

Join me on the morning of April 22, 2017 for 3-hours of photographic instruction at Fort DeSoto Park. Beginners are welcome. Lenses of 300mm or longer are recommended but even those with 70-200s should get to make some nice images. Teleconverters are always a plus.

You will learn the basics of digital exposure and image design, autofocus basics, and how to get close to free and wild birds. We should get to photograph a variety of wading birds, shorebirds, terns, and gulls. This inexpensive morning workshop is designed to give folks a taste of the level and the quality of instruction that is provided on BIRDS AS ART Instructional Photo-tours. I hope to meet you there.

To register please call Jim or Jennifer during weekday business hours with a credit card in hand to pay the nominal registration fee. Your registration fee is non-refundable. You will receive a short e-mail with instructions, gear advice, and meeting place one week before the event.


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Images and card design copyright: Arthur Morris/BIRDS AS ART. Click on the card to enjoy a spectacular larger version.

2017 UK Puffins and Gannets IPT
Monday July 3 through Monday July 10, 2017: $5999: Limit 10 photographers — Openings: 6). Two great leaders: Arthur Morris and BPN co-owner, BPN Photography Gear Forum Moderator, and long-time BAA Webmaster Peter Kes.

Here are the plans: take a red eye from the east coast of the US on July 2 and arrive in Edinburgh, Scotland on the morning of Monday July 3 no later than 10am (or simply meet us then at the Edinburgh Airport–EDI, or later in the day at our cottages if you are driving your own vehicle either from the UK or from somewhere in Europe). Stay 7 nights in one of three gorgeous modern country cottages.

There are five days of planned puffin/seabird trips and one morning of gannet photography, all weather permitting of course. In three years we have yet to miss an entire day because of weather… In addition, we will enjoy several sessions of photographing nesting Black-legged Kittiwakes at eye level.


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Images and card design copyright: Arthur Morris/BIRDS AS ART. Click on the card to enjoy a spectacular larger version.

The Details

We will get to photograph Atlantic Puffin, Common Murre, Razorbill, Shag, and Northern Gannet; Arctic, Sandwich, and Common Terns, the former with chicks of all sizes; Black-headed, Lesser-Black-backed, and Herring Gulls, many chasing puffins with fish; Black-legged Kittiwake with chicks. We will be staying in upscale country-side lodging that are beyond lovely with large living areas and lots of open space for the informal image sharing and Photoshop sessions. The shared rooms are decent-sized, each with a private bathroom. See the limited single supplement info below.

All breakfasts, lunches and dinners are included. All 5 puffins boat lunches will need to be prepared by you in advance, taken with, and consumed at your leisure. I usually eat mine on the short boat trip from one island to the other. Also included is a restaurant lunch on the gannet boat day.

If you wish to fly home on the morning of Monday July 10 we will get you to the airport. Please, however, consider the following tentative plans: enjoy a second Gannet boat trip on the afternoon of Monday July 10 and book your hotel room in Dunbar. If all goes as planned, those who stay on for the two extra days will make a morning landing at Bass Rock, one of the world’s largest gannetries. We will get everyone to the airport on the morning of Wednesday July 12. (We may opt to stay in Edinburgh on the night of July 11.) Price and details should be finalized at least six months before the trip but you will need to be a bit patient. It would be ideal if I can get all the work done by the end of September so that folks can arrange their flights then.


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Images and card design copyright: Arthur Morris/BIRDS AS ART. Click on the card to enjoy a spectacular larger version. Scroll down to join us in the UK in 2016.

Deposit Info

If you are good to go sharing a room–couples of course are more than welcome–please send your non-refundable $2,000/person deposit check now to save a spot. Please be sure to check your schedule carefully before committing to the trip and see the travel insurance info below. Your balance will be due on March 29, 2017. Please make your check out to “Arthur Morris” and send it to Arthur Morris/BIRDS AS ART, PO Box 7245, Indian Lake Estates, FL, 33855. If we do not receive your check for the balance on or before the due date we will try to fill your spot from the waiting list. If your spot is filled, you will lose your deposit. If not, you can secure your spot by paying your balance.

Please shoot me an e-mail if you are good to go or if you have any questions.

Single Supplement Deposit Info

Single supplement rooms are available on a limited basis. To ensure yours, please register early. The single supplement fee is $1575. If you would like your own room, please request it when making your deposit and include payment in full for the single supplement; your single supplement deposit check should be for $3,575. As we will need to commit to renting the extra space, single supplement deposits are non-refundable so please be sure that check your schedule carefully before committing to the trip and see the travel insurance info below.

Travel Insurance

Travel insurance for big international trips is highly recommended as we never know what life has in store for us. I strongly recommend that you purchase quality insurance. Travel Insurance Services offers a variety of plans and options. Included with the Elite Option or available as an upgrade to the Basic & Plus Options you can also purchase Cancel for Any Reason Coverage that expands the list of reasons for your canceling to include things such as sudden work or family obligation and even a simple change of mind. My family and I use and depend on the great policies offered by TIS whenever we travel. You can learn more here: Travel Insurance Services. Do note that many plans require that you purchase your travel insurance within 14 days of our cashing your deposit check of running your credit card. Whenever purchasing travel insurance be sure to read the fine print careful even when dealing with reputable firms like TSI.


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Images and card copyright Arthur Morris/BEARS AS ART 🙂

2017 Bear Boat Coastal Brown Bear Cubs IPTs: July 18-24, 2017 from Kodiak, AK: 5 FULL & 2 Half DAYS: $6699. Happy campers only! Maximum 8/Openings 3.

Join me in spectacular Katmai National Park, AK for six days of photographing Coastal Brown Bears. Mid-July is prime time for making images of small, football-sized cubs. The cubs, and these dates, are so popular that I had to reserve them three years in advance to secure them. There are lots of bears each year in June, but the mothers only rarely risk bringing their tiny cubs out in the open in fear of predation by rival bears. In addition to making portraits of both adults and cubs, we hope to photograph frolicking and squabbling youngsters and tender nursing scenes. At this time of year, the bears are either grazing in luxuriant grass or clamming. There will also be some two- and three-year old cubs to add to the fun. And we will get to photograph it all.

We will live on our tour operator’s luxurious new boat. At 78 feet long its 24 foot beam makes it quite spacious as well. And the food is great. We will likely spend most of our time at famed Geographic Harbor as that is where the bears are generally concentrated in summer. On the odd chance that we do need to relocate to another location we can do so quickly and easily without having to venture into any potentially rough seas. We land via a 25 foot skiff that has lots of room for as much gear as we can carry.

Aside from the bears we should get to photograph Horned and Tufted Puffin and should get nice stuff on Mew Gull, Glaucous-winged Gull, Black-legged Kittiwake, Harbor Seal, and Steller’s Sea Lion as well. A variety of tundra-nesting shorebirds including Western Sandpiper and both yellowlegs are also possible. Halibut fishing (license required/not included) is optional.

It is mandatory that you be in Kodiak no later than the late afternoon of July 17 to avoid missing the float planes to the boat on the morning of July 18. Again, with air travel in Alaska (or anywhere else for that matter) subject to possible delays, being on Kodiak on July 16 is a much better plan.

Barring any delays, we will get to photograph bears on our first afternoon and then again every day for the next five days after that, all weather permitting of course. On our last morning on the boat, July 24, those who would like to enjoy one last photo session will have the opportunity to do so. The group will return to Kodiak via float plane from late morning through midday. Most folks will then fly to Anchorage and to continue on red-eye flights to their home cities.

What’s included? 7 DAYS/6 NIGHTS on the boat as above. All meals on the boat. National Park and guide fees. In-the-field photo tips, instruction, and guidance. An insight into the mind of a top professional nature photographer; I will constantly let you know what I am thinking, what I am doing, and why I am doing it. Small group image review, image sharing, and informal Photoshop instruction on the boat.

What’s not included: Your round trip airfare to and from Kodiak, AK (almost surely through Anchorage). Your lodging and meals on Kodiak. The cost of the round-trip float plane to the boat and then back to Kodiak as above. The cost of a round trip last year was $550. The suggested crew tip of $200.

Have you ever walked with the bears?

Is this an expensive trip? Yes, of course. But with 5 full and two half days, a wealth of great subjects, and the fact that you will be walking with the bears just yards away (or less….), it will be one of the great natural history experiences of your life. Most folks who take part in a Bear Boat IPT wind up coming back for more.

A $2,000 per person non-refundable deposit by check only made out to “BIRDS AS ART” is required to hold your spot. Please click here to read our cancellation policies. Then please print, read, and sign the necessary paperwork here and send it to us by mail to PO Box 7245, Indian Lake Estates, FL 33855.

Your deposit is due when you sign up. That leaves a balance of $4699. The next payment of $2699 will be due on September 15, 2016. The final payment of $2000 is due on February 15, 2017. I hope that you can join me for what will be a wondrously exciting trip.


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Palouse 2016 Horizontals Card

Why Different?

Announcing the 2017 BIRDS AS ART Palouse Instructional Photo-Tour

In what ways will the 2017 BIRDS AS ART Palouse Instructional Photo-Tour be different from the most other Palouse workshops?

There are so many great locations that a seven-day IPT (as opposed to the typical three- or five-day workshops) will give the group time to visit (and revisit) many of the best spots while allowing you to maximize your air travel dollars. In addition, it will allow us to enjoy a slightly more relaxed pace.

You will be assured of being in the right location for the given weather and sky conditions.

You will learn and hone both basic and advanced compositional and image design skills.

You will learn to design powerful, graphic images.

You will visit all of the iconic locations and a few spectacular ones that are much less frequently visited.

You will learn long lens landscape techniques.

You will learn to master any exposure situation in one minute or less.

You will learn the fine points of Canon in-camera (5D Mark III, 5DS R, and 7D II) HDR techniques.

You will be able to share a variety of my exotic Canon lenses including the Canon EF 11-24mm f/4L USM lens and the Canon EF 8-15mm f/4L Fisheye USM lens, aka the “circle lens.”

You will learn to use your longest focal lengths to create rolling field and Urbex abstracts.

You will learn when and how to use a variety of neutral density filters to create pleasing blurs of the Palouse’s gorgeous rolling farmlands.

As always, you will learn to see like a pro. You will learn what makes one situation prime and another seemingly similar one a waste of your time. You will learn to see the situation and to create a variety of top-notch images.

You will learn to use super-wide lenses both for big skies and building interiors.

You will learn when, why, and how to use infrared capture; if you do not own an infrared body, you will get to borrow mine.

You will learn to use both backlight and side-light to create powerful and dramatic landscape images.


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Palouse 2016 Verticals Card

The 2017 BIRDS AS ART Palouse Instructional Photo-Tour
June 8-14, 2017. Seven full days of photography. Meet and greet at 7:30pm on Wednesday, June 7: $2,499. Limit 10/Openings: 7.

Rolling farmlands provide a magical patchwork of textures and colors, especially when viewed from the top of Steptoe Butte where we will enjoy spectacular sunrises and at least one nice sunset. We will photograph grand landscapes and mini-scenics of the rolling hills and farm fields. I will bring you to more than a few really neat old abandoned barns and farmhouses in idyllic settings. There is no better way to improve your compositional and image design skills and to develop your creativity than to join me for this trip. Photoshop and image sharing sessions when we have the time and energy…. We get up early and stay out late and the days are long.

Over the past three years, with the help of a friend, we found all the iconic locations and, in addition, lots of spectacular new old barns and breath-taking landforms and vistas. What’s included: In-the-field instruction, guidance, lessons, and inspiration, my extensive knowledge of the area, all lunches, motel lobby grab and go breakfasts, and Photoshop and image sharing sessions. As above, there will be a meet and greet at 7:30pm on the evening before the workshop begins.

To Sign Up

Your non-refundable deposit of $500 is required to hold your spot. Please let me know via e-mail that you will be joining this IPT. Then you can either call Jim or Jennifer at 863-692-0906 during business hours to arrange for the payment of your deposit; if by check, please make out to “BIRDS AS ART” and mail it to: Arthur Morris/BIRDS AS ART, PO Box 7245, Indian Lake Estates, FL, 33855. If you have any questions, please feel free to contact me via e-mail: artie.

Travel Insurance Services offers a variety of plans and options. Included with the Elite Option or available as an upgrade to the Basic & Plus Options. You can also purchase Cancel for Any Reason Coverage that expands the list of reasons for your canceling to include things such as sudden work or family obligation and even a simple change of mind. You can learn more here: Travel Insurance Services. Do note that many plans require that you purchase your travel insurance within 14 days of our cashing your deposit check. Whenever purchasing travel insurance be sure to read the fine print carefully even when dealing with reputable firms like TSI.


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Tame birds and wildlife. Incredible diversity. You only live once…

GALAPAGOS Photo Cruise of a Lifetime IPT/The Complete Galapagos Photographic Experience. August 8-22, 2017 on the boat. 13 FULL and two half-days of photography: $12,499. Limit: 12 photographers plus the leader: yours truly. Sold out!

Same great trip; no price increase!

My two-week Galapagos Photo-Cruises are without equal. The world’s best guide, a killer itinerary, a great boat (the Samba), and two great leaders with ten Galapagos cruises under their belts. Pre-trip and pre-landing location-specific gear advice. In-the-field photo instruction and guidance. Jeez, I almost forgot: fine dining at sea!

The great spots that we will visit include Tower Island (including Prince Phillips Steps and Darwin Bay), Hood Island (including Punta Suarez, the world’s only nesting site of Waved Albatross, and Gardner Bay)—each of the preceding are world class wildlife photography designations that rank right up there with Antarctica, Africa, and Midway. We will also visit Fernandina, Puerto Ayora for the tortoises, Puerto Egas—James Bay, and North Seymour for nesting Blue-footed Boobies in most years, South Plaza for Land Iguanas, Floreana for Greater Flamingoes, and Urbina Bay, all spectacular in their own right. We visit every great spot on a single trip. Plus tons more. And there will be lots of opportunities to snorkel on sunny mid-days for those like me who wish to partake.

It is extremely likely that we will visit the incredible Darwin Bay and the equally incredible Hood Island, world home of Waved Albatross twice on our voyage. The National Park Service takes its sweet time in approving such schedule changes.

We will be the first boat on each island in the morning and the last boat to leave each island every afternoon. If we are blessed with overcast skies, we will often spend 5-6 hours at the best sites. And as noted above, mid-day snorkeling is an option on most sunny days depending on location and conditions. On the 2015 trip most snorkeled with a mega-pod of dolphins. I eased off the zodiac to find hundreds of dolphins swimming just below me. Note: some of the walks are a bit difficult but can be made by anyone if half way decent shape. Great images are possible on all landings with either a hand held 70-200mm lens and a 1.4X teleconverter or an 80- or 100-400. I sometimes bring a longer lens ashore depending on the landing. In 2017 I will be bring the Canon 400mm IS DO II lens. In the past I have brought either the 300mm f/2.8L IS II or the 200-400mm f/4 L IS with Internal Extender.


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Do consider joining me for this once in a lifetime trip to the Galapagos archipelago. There simply is no finer Galapagos photography trip. Learn why above.

An Amazing Value…

Do know that there are one week Galapagos trips for $8500! Thus, our trip represents a tremendous value; why go all that way and miss half of the great photographic locations?

The Logistics

August 6, 2017: We arrive in Guayaquil, Ecuador a day early to ensure that we do not miss the boat in case of a travel delay.

August 7, 2017: There will be an introductory Galapagos Photography session and a hands on exposure session at our hotel.

August 8, 2017: We fly to the archipelago and board the Samba. Heck, on the 2015 trip some people made great images at the dock in Baltra while our luggage was being loaded!

August 22, 2017: We disembark late morning and fly back to Guayaquil midday; most will overnight there.

Most will fly home on the early morning of August 23 unless they are staying on or going elsewhere (or catching a red-eye flight on the evening of the 22nd).

$12,499 includes just about everything: all transfers, guide and park fees, all food on the boat, transfers and ground transportation, your flights to the archipelago, and three nights (double occupancy) in a top notch hotel in Guayaquil. If you are good to go, a non-refundable deposit of $5,000 per person is due immediately. The second payment of $4,000 is not due until 11/1/16. The final payment of $3449 per person will be due on 2/1/17. A $200 discount will be applied to each of the balances for couples or friends who register at the same time.

Purchasing travel insurance within 2 weeks of our cashing your deposit check is strongly recommended. On two fairly recent cruises a total of 5 folks were forced to cancel less than one week prior to the trip. My family and I use Travel Insurance Services and strongly recommend that you do the same.

Not included: your round trip airfare from your home to and from Guayaquil, beverages on the boat, phone calls, your meals in Guayaquil, personal items, and a $600/person cash tip for the crew and the guide—this works out to roughly $40/day to be shared by the 7 folks who will be waiting on us hand and foot every day for two weeks. The service is so wonderful that many folks choose to tip extra.

Please e-mail for the tentative itinerary or with questions. Please cut and paste “Galapagos 2017 Tentative Itinerary Please” into the Subject line.

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2017 in San Diego was a very good year ….

2018 San Diego 4 1/2-DAY BIRDS AS ART IPT: Monday, JAN 15 thru and including the morning session on Friday, JAN 19, 2018: 4 1/2 days: $2099.

Limit: 8: Openings: 4

Meet and Greet at 6:30pm on the evening before the IPT begins; Sunday, Jan 14, 2018.

Join me in San Diego to photograph the spectacular breeding plumage Brown Pelicans with their fire-engine red and olive green bill pouches; Brandt’s (usually nesting and displaying) and Double-crested Cormorants; breeding plumage Ring-necked Duck; other duck species possible including Lesser Scaup, Redhead, Wood Duck and Surf Scoter; a variety of gulls including Western, California, and the gorgeous Heerman’s, all in full breeding plumage; shorebirds including Marbled Godwit, Whimbrel, Willet, Sanderling and Black-bellied Plover; many others possible including Least, Western, and Spotted Sandpiper, Black and Ruddy Turnstone, Semipalmated Plover, and Surfbird; Harbor Seal (depending on the current regulations) and California Sea Lion; and Bird of Paradise flowers. And as you can see by studying the two IPT cards there are some nice bird-scape and landscape opportunities as well. Please note: formerly dependable, both Wood Duck and Marbled Godwit have been declining at their usual locations for the past two years …


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San Diego offers a wealth of very attractive natural history subjects. With annual visits spanning more than three decades I have lot of experience there….

With gorgeous subjects just sitting there waiting to have their pictures taken, photographing the pelicans on the cliffs is about as easy as nature photography gets. With the winds from the east almost every morning there is usually some excellent flight photography. And the pelicans are almost always doing something interesting: preening, scratching, bill pouch cleaning, or squabbling. And then there are those crazy head throws that are thought to be a form of intra-flock communication. You can do most of your photography with an 80- or 100-400 lens …

Did I mention that there are wealth of great birds and natural history subjects in San Diego in winter?


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Though the pelicans will be the stars of the show on this IPT there will be many other handsome and captivating subjects in wonderful settings.

The San Diego Details

This IPT will include five 3 1/2 hour morning photo sessions, four 2 1/2 hour afternoon photo sessions, four lunches, and after-lunch image review and Photoshop sessions. To ensure early starts, breakfasts will be your responsibility. Dinners are on your own so that we can get some sleep.

A $599 non-refundable deposit is required to hold your slot for this IPT. You can send a check (made out to “Arthur Morris) to us at BIRDS AS ART, PO Box 7245, Indian Lake Estates, FL, 33855. Or call Jim or Jennifer at the office with a credit card at 863-692-0906. Your balance, payable only by check, will be due on 9/11//2016. If we do not receive your check for the balance on or before the due date we will try to fill your spot from the waiting list. Please print, complete, and sign the form that is linked to here and shoot it to us along with your deposit check. If you register by phone, please print, complete and sign the form as noted above and either mail it to us or e-mail the scan. If you have any questions, please feel free to contact me via e-mail.

1 comment to BIRDS AS ART BULLETIN #432

  • avatar Mike Vanecek

    Thank you for your great analysis. I am struggling with making a decision (it gets harder for me the older I get). I have the 800mm and it has served me well, but the weight and size are noticeable after a while. I used the 800mm with you in FL and in Africa with Todd and the reach was really nice but it was tiring. Todd, with whom will be with you in Africa later this year, used his Nikon 600mm + 1.7TC almost 95% of the time. One of the older participants in Africa had sold his 800mm and got the 600mm. He constantly taunted me with its advantages. My neighbor (Jim Bicket whom you know) loves his 800mm and believes I would be making a mistake selling it for the 600mm.

    I can afford these options (listed in cost order):

    1. Keep the 800mm
    2. Sell the 800mm and buy the 600mm.
    3. Keep the 800mm and buy a 500mm.

    I guess the final choice will be which of the trade offs are more important.

    Thank you again for all that you do.

    Mike